This course invites participants to explore the deep world of personal movement, giving space to the inner gaze and to gestures that arise from the physical, emotional, and mental dimensions. The work focuses on discovering bodily poetics and subtly expressing what emerges from our inner depth, sharing it with others while sustaining the experience of being observed on stage.
As a complement, tools inspired by Étienne Decroux’s teaching are incorporated, placing the body at the center of theatrical expression. Through precise and sculptural movement—based on muscle control, articulation, dissociation, counterbalance, and rhythmic phrasing—the physical vocabulary is expanded, and stage presence is strengthened, fostering an intentional and poetic use of the body in space.
Impartido por
Oscar Valsecchi
Actor, director and teacher specialized in physical and text-based theatre
A professional with a solid international career in the performing and pedagogical fields. He has taken part in a wide range of interdisciplinary theatre projects, collaborating with artists from disciplines such as dance, circus, music, and both classical and contemporary theatre.
He has extensive experience as an acting coach, both in theatre and film, having worked with renowned performers and directors including: Eduard Fernández, Gonzalo de Castro, Sílvia Pérez Cruz, Pau Miró, Oriol Paulo, Joan Carreras, Pablo Derqui, Xavier Albertí, Miguel Rellán, Kike Maíllo, Loreto Mauleón and Carles Torrens.
Co-founder of Totum Teatre company. Member of the circus company Capicua.
With more than 30 years of teaching experience, he has taught in Europe, Central America and South America. Since arriving in Barcelona, he has collaborated as a teacher with institutions such as: Institute of the Arts Barcelona (IAB), Centre de Teatre Físic Moveo, Plató de Cinema, the M-Use program, Escola Universitària ERAM, Centre de les Arts del Circ Rogelio Rivel, Escola Superior d’Art Dramàtic Eòlia and Sala Beckett.
Over 14 years of collaboration with Lluís Homar in theatre, film and pedagogical productions, in a constant pursuit of artistic excellence.
He has developed his own method of actor training based on his education and personal experience.
Magali Mestre
Actress, theatre director, and Gestalt therapist. She trained in theatre at various schools in France, Belarus, and Spain; in Body and Art (Alas, Andrés Waksman, Susana Estela); in Authentic Movement (Betina Waissman and Andrés Waksman); in Family Constellations (Teresa Pérez); in Claudio Naranjo’s SAT Program; in Neurosis Prevention (Evania Reichert and Sergio Veleda); and in the Clowning Path (Alain Vigneau).
https://www.magestalt.com/therapie-gestalt-en-francais-barcelone/
